Harold Bradley (February 2007)
Gene Watson's peers within the country music industry believe in the sheer talent of this unassuming man from east
Texas, so much so that Gene is regarded by many of them as
'the singer's singer' - and rightly so!
All of Gene's Peers who were contacted in 2007 were most gracious with
their time & words. It is here, within this special
part of gene-watson.com, that you have an opportunity to
read
Harold Bradley's quote, which he submitted to this site on
Monday 5 February
2007.
I (Sean Brady)
would like to take this opportunity to say 'thank you' to
Harold Bradley who has made a special contribution to a unique part
of this online 'celebration of a Lone Star Hero'.
Harold
Bradley
This quote was submitted on Monday 5 February 2007
'Gene
Watson is one of the greatest & natural
country music singers of all time.
I was very privileged to be his leader
on some of his hits.
When we did 'Farewell party' in one take, Gene
turned my head when he hit the high note
on the end. He's been turning
peoples heads ever since he started his
career'.
Thank you,
Harold Bradley, for your support of Gene Watson.
Three tracks ('The
old man & his horn', 'Cowboys don't get lucky
all the time'
& 'I won't be sleeping alone') from Gene's
'Beautiful Country'
album (Capitol Records S11715) were recorded at
Bradley's Barn in Mount Juliet, Tennessee in 1977.
Harold's brother Owen (21 October 1915 - 7 January
1998) had purchased a farm outside of Nashville in
1961 & had converted a barn into a demo studio.
With a few years, 'Bradley's Barn' had become a
legendary recording venue within country music
circles.

Harold Bradley was also a session musician on the
Gene Watson albums (above & below):
'Reflections' on Capitol Records in 1978 (Rhythm Guitar & Lead
Guitar), 'Should I Come Home' on Capitol Records in 1979 (Rhythm Guitar & Lead
Guitar), 'No One will Ever Know' on Capitol Records in 1980 (Rhythm Guitar & Lead
Guitar), 'Between this Time & the Next Time' on MCA Records in 1981 (Acoustic Guitar & Electric
Guitar), 'Old Loves Never Die' on MCA Records in 1981 (Guitar & Mandolin)
&
'This Dream's on Me' on MCA Records in 1982 (Rhythm Guitar, Lead Guitar &
Bass).

About Harold Bradley...
Harold Bradley
is the Nashville native
who holds down the Presidency of the
Nashville Association of Musicians
Local 257
& is the man who may be the most recorded guitarist
in history.
Harold Bradley was born on 2 January 1926 in
Nashville. His older brother,
Owen (a member of the Country Music
Hall of Fame), was a strong early
musical influence. Although
Owen had earned his spurs as a
pianist, Harold was at first
fascinated by the banjo.
However, he also began learning to
play a guitar. While still a
teenager, Harold landed a
much-coveted band spot with
legendary Ernest Tubb in 1943.
After high school graduation, Harold
joined the navy.
Upon his discharge in 1946,
he studied at George Peabody College
under the GI Bill. To enhance
his income, however, Harold played
on the Opry with Eddy Arnold &
Bradley Kincaid. Harold's
first recording session took place
on 17 December 1946 with Pee Wee
King & the Golden West Cowboys in
Chicago. Two King songs on
which Harold's contribution was
notable are 'Texas Toni Lee' &
Tennessee Central Number Nine'.
Harold soon
recorded with
Red Sovine.
The
first million
seller he
was on was Red
Foley's 'Chattanooga
Shoe Shine Boy',
recorded at
Castle.
Harold also did one recording
session with
Hank Williams
Senior.
As Nashville began to expand recording-wise, Harold
began to be involved in more sessions. He was
on 'Jingle Bell
Rock' &
'Fraulein' (both
recorded by Bobby Helms), 'I'm Sorry' & 'Rockin' around the
Christmas Tree'
(both recorded by Brenda Lee), along with all of Patsy
Cline's
recording sessions bar two.
Harold also played on such classic
country tracks as 'Only the Lonely' (Roy Orbison),
'Crazy' (Patsy
Cline), 'Battle of Now
Orleans' (Johnny Horton), 'Big Bad John' (Jimmy
Dean), 'King of the Road' (Roger Miller), 'Harper Valley PTA'
(Jeannie C. Riley), 'Stand by your
Man' (Tammy Wynette), 'Make the World go Away' (Eddy
Arnold), 'Coal Miner's Daughter' (Loretta Lynn),
'Ebony Eyes' (The Everly
Brothers) & 'Swinging' (John Anderson).
Among the cinematic soundtracks boasting Harold's
touch are 'Kissin' Cousins', 'Clambake', 'Stay Away
Joe', 'The Fastest Guitar Alive', 'Sugarland
Express', 'A Walk in the Spring Rain', 'Tick, Tick, Tick',
'Breathless', 'Smokey & the Bandit II', 'Coal
Miner's Daughter', 'Six-pack', 'Missing' & 'Sweet
Dreams'. Harold also appeared briefly In Robert
Altman's award-winning movie 'Nashville' in 1975.
Harold
worked with
Elvis Presley from
1962 until 1967, a
period during
which he had 10
No.1 songs.
Elvis was one of
twenty-five
musicians in the Rock & Roll Hall of Fame with whom
Bradley worked.
Harold can be heard on some of Elvis
Presley's records & movie soundtracks as well as
those of such entertainers as Perry Como, Buddy Holly, Pee Wee King, George
Morgan, Hank Williams Senior, Burl Ives, Connie Francis, Hank Snow, Jim
Reeves, Charley Pride, Leon Russell, Marty Robbins, Freddie Hart,
Conway Twitty & Roy Clark.
Artists Harold has represented or produced
personally include Byron & Slim Whitman, Eddy Arnold
& Irish singer Sandy
Kelly.
Harold Bradley can boast a trio of his own albums on
the Columbia label, namely 'Misty Guitar', 'The Bossa Nova
Goes to Nashville' & 'Guitar for Lovers Only'.
His
musical input can be heard too, on such other LP's
as the Bear Family's ambitious four-compact disc set
'Webb Pierce: The Wandering Boy, 1951-1958' & Alan Jackson's
'Here in the Real World' album for Arista Records
from 1991.
Visit the Country Music
Hall of Fame Website
Visit the Nashville Association of Musicians Local
257
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